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Equality Dmg

This month we’ll have a look at two of them: EQuality is an equalizer, while Compassion is a compressor. Both are available in all the major plug‑in formats on both Mac and PC. For Windows there’s VST and VST3 in both 32- and 64-bits, and 32-bit RTAS. For Mac there’s VST, VST3 and AU as in both 32- and 64-bits, and 32-bit RTAS. DMGT manages a portfolio of companies that provide businesses and consumers with compelling information, analysis, insight, events, news and entertainment. The Group takes a long-term approach to investment and has market-leading positions in consumer media, insurance risk, property information, education technology. I was using DMG Audio's EQuality in phase linear mode to gently bring tracks together to the same sonic flavour. I had a safety limiter across the master at -0.3dB was was operating at low to medium listening levels (80-81 dB for Dolby reference noise). DMG Audio EQuality & Compassion. EQuality and Compassion are, respectively, an equaliser and compressor, and are available in all the major plug‑in formats on Mac and PC. This includes VST3, which means that external side‑chaining is supported in Compassion.

  1. Equality Might
  2. Equity Damages Inadequate
  3. Equity Damages Definition
  4. Dmg Audio Equality
  5. Equity Damages
  6. Equality Magazine

THE UNIVERSAL EQ

Equality Might

The DMG EQuality plug-in was easy to install without any problems or compatibility issues at all. The interface is very easy to follow, as it is modeled after the old DMG EQuality. There is a knob for line in gain, low pass, low mid, hi mid, and high pass. The DMG EQuality plug-in was easy to install without any problems or compatibility issues at all. The interface is very easy to follow, as it is modeled after the old DMG EQuality. There is a knob for line in gain, low pass, low mid, hi mid, and high pass. EQuality is described by Gamble as “the only EQ you’ll ever need”: a bold claim, but the list of specs and features hints at an extraordinary level of versatility. For starters, the plug-in offers linear-phase, minimum-phase, and “analogue phase-matched” processing options, and so should satisfy requirements for both a surgical and a ‘character’ EQ.

  • Best Possible Analogue Curves
  • Pro-Grade Feature Set
  • Intuitive, Customizable UI

COMPRESSION : PAST & FUTURE

  • 1 Digital and 4 Analogue Compressors
  • Efficient and Zero-latency
  • Antiskeumorphic Design

FLEXIBLE DYNAMICS PROCESSOR

  • Highly Configurable Compressor
  • Simple/Advanced Modes
  • Over 80 Parameters

SPEED. PRECISION. CLARITY.

Equity Damages Inadequate

  • Ultra-Modern EQ
  • Awesome pro-grade sound
  • Super-clean minimal interface

EASY CHANNEL CONTROL

  • Edge-of-channel utility
  • MS Encoding and Panning
  • FREE!

INSTANT DE-ESSING

  • Invisible DeEssing
  • Intelligent detection
  • Immediate results

NOISE SIMPLY GONE

  • Smart Gating
  • Classic circuit models
  • Fast and transparent

GREAT LIMITING, MADE SIMPLE

  • Wide-band limiter
  • Instant premasters
  • Inter-sample Peak Reduction

SEE WHAT YOU'RE DOING

EQ, ASCENDED

  • Massively flexible EQ for critical applications
  • Pristine curves & models of Vintage EQs
  • Completely reconfigurable UI

THE MASTER LIMITER

  • Multiband dual-stage limiting
  • Designed for invisibility
  • One stop end of chain

MULTIBAND MASTERPIECE

  • 8 bands of crossover/dynamic EQ
  • Independent transient/dynamic processing
  • Shockingly powerful

Equity Damages Definition

WORLD'S MOST POWERFUL DE-ESSER

  • World's most powerful De-Esser
  • Psychoacoustically optimised processing
  • Ergonomic Design

SEPARATES THE WHEAT FROM THE CHAFF

  • Genre-advancing gate/expander plugin
  • Ergonomic, streamlined design
  • Lightweight but mighty

TOTAL STEREO CONTROL & ANALYSIS

  • Ultimate toolkit for stereo channels
  • Extensive visualisation suite
  • Vastly configurable input/output stages

THE UNIVERSAL EQ

  • Best Possible Analogue Curves
  • Pro-Grade Feature Set
  • Intuitive, Customizable UI

EQ, ASCENDED

  • Massively flexible EQ for critical applications
  • Pristine curves & models of Vintage EQs
  • Completely reconfigurable UI

MULTIBAND MASTERPIECE

  • 8 bands of crossover/dynamic EQ
  • Independent transient/dynamic processing
  • Shockingly powerful

FLEXIBLE DYNAMICS PROCESSOR

  • Highly Configurable Compressor
  • Simple/Advanced Modes
  • Over 80 Parameters

WORLD'S MOST POWERFUL DE-ESSER

  • World's most powerful De-Esser
  • Psychoacoustically optimised processing
  • Ergonomic Design

MODULATING MULTI-FX MONSTER

  • Pitch Shifting Madness
  • Extensive Modulation
  • Crazy sounds

Five Compressors spanning the history of pro-audio.

Filthy and distorted to invisible and clean; tubes, optos, FETs, transistors and VCAs.

The tool you need for every session. Have a listen: download the demo.

Features

  • Realtime SPICE simulation of hardware units
  • Classic channel VCA, bus VCA, FET, Opto and Digital compression
  • Common hardware mods like Sidechain filter and Response
  • Zero-latency
  • Quick, simple, ergonomic interface
  • Windows VST, VST3 and AAX as 32+64bit, RTAS 32bit
  • Mac VST, VST3, AU and AAX as 32+64bit, RTAS 32bit

Sound

  • Authentic end-to-end models with distortion and all
  • Digital compressor with variable curves based on Compassion
  • Classic compression sounds of the last 50 years
  • Controls to calibrate the plugin to match and replace hardware

Vision

  • Simple, streamlined interface
  • Mac Retina support
  • Autolisten for configuring filters
  • The sound of the past meets an interface for the future

Windows System Requirements

  • Vista / Windows 7 / Windows 8 / Windows 10
  • 32bit or 64bit
  • ProTools 7 or newer.
  • A host that supports VST or VST3, such as:
    • Steinberg Cubase
    • Steinberg Nuendo
    • Steinberg Wavelab
    • Sony ACID Pro
    • Ableton Live
    • Cockos Reaper
    • Magix Sequoia
    • Magix Samplitude
    • AudioMulch

Mac OS System Requirements

  • OS X 10.7 or newer, including Mojave (10.14)
  • Intel Mac
  • ProTools 7 or newer.
  • A host that supports VST, AU or VST3, such as:
    • Apple Logic (32bit or 64bit)
    • Apple Garageband
    • Steinberg Cubase
    • Steinberg Nuendo
    • Ableton Live

Specifically not supported (might work, but I can't test/support these platforms): Windows 95/98/XP, OS X 10.0,10.1,10.2,10.3,10.4,10.5,10.6

1.04 -> 1.05

  • Improved HiDPI support
  • Fix 2A model output phase
  • Support VST2 getEffectName for some rare hosts

Dmg Audio Equality

1.03 -> 1.04

  • Fix AU validation in old not-really-supported versions of Logic
  • Reaper key entry improvements
  • HiDPI support in Cubase and Studio One on Windows
  • Improvements with discrete parameters drag/mousewheel
  • New LA2A output stage with more accurate implementation of brightness (works correctly with oversampling)
  • Markers draw improved

1.02 -> 1.03

  • New and improved 76D model. More accurate, lower CPU usage. Existing 76D instances will reload using the older model; reselect the 76D model to update
  • Oversampled output stage for 2A model
  • Fix denormals in side chain EQ
  • Fix setting current AB bank on loading a preset
  • Warn user if 76D or 2A data files are missing.
  • Mac build now requires 10.7 or later
  • Improve menu position when opening a menu would cause it to appear offscreen
  • AAX Mac window focus improved
  • Fix potential crash when file saving fails
  • Fix crash when closing UI with text box open
  • Fix crash with text entry on touchbar MacBook Pro
  • Fix potential crash when closing UI
  • Prevent Cubase/Nuendo right-click menu from appearing when right-clicking on a clutter bar button that accepts right-clicks
  • Support for mono->stereo AU
  • Installer searches for existing VST plugins folder for 64-bit plugins on Windows if run for first time
  • Correctly sign Windows installers with Codesigning cert
  • Improve text and layout for Windows installers
  • Improve install descriptions and logo for Mac installers

1.01 -> 1.02 Mac adware cleaner review.

  • Fix GR metering in mono instances
  • Fix 'manual' sidechain listen mode
  • Fix very obscure crash loading in Logic X
  • Make slider behaviour smoother
  • Remove spurious DC bias in 76D mode (resolves issues with excessive distortion)
  • Report correct version number in Cubase VST2
  • Fix ProTools crash when selecting Ext sidechain but none is routed
  • Jumpstart resource loading to prevent weirdness in ProTools
  • Alt-mousewheel on snap-to sliders will cycle through values.
  • Extend E-Channel release time, and mark hardware ranges.
  • Flatten low-end response for 76D (assume higher input impedance on interface)
  • Jumpstart 2A GR to minimise pops when switching models
  • Manual edits
  • Improve 2A attack behaviour
  • Support VST3 GR meter in Studio One

1.00 -> 1.01

  • Add Q-Bias to 76 to allow calibrating aggression!
  • Rework 76 to avoid breakup
  • Rework 76 to implement proper hardware stereo linkage (prevents distortion on wide signals)
  • Prevent DC noise when adjusting 76 threshold
  • Fix issue with 2A compression
  • Fix linked GR metering
  • Added Sidechain filter for E-Channel
  • Fix vertical alignment of some text labels
  • Q-Bias/2A text in manual
  • Keep UI working when automating to empty Model settings
  • Redraw the red bars OVER the sliders
  • Stop grabbing keys in Logic X
  • Fix recall of A/B bank as displayed on UI
  • Persist GR zoom across UI open/close

TrackComp

TrackComp is a compressor designed for musicians, producers and mix engineers.

It has comparatively low CPU usage, zero latency, a streamlined workflow and features a collection of analogue and digital compressors.

The units included are:

  • DMG (Digital compressor)
  • E-channel (British console channel compressor)
  • G-bus (British console bus compressor)
  • 76D (Revision D FET compressor)
  • 2A (1960s valve and opto compressor)

The phrase 'SPICE simulation' commonly refers to using physics to predict the behaviour of a circuit, using a particular mathematical strategy.It is a method for circuit simulation that forms the foundation of the tools that electronic engineers use for design.

Our approach has been to optimise SPICE for real-time usage; typically a simulation takes between ten and a hundred times as long to execute as the audio it is processing. We are very proud to have optimised implementations that typically run at <1% CPU core usage on modern processors.

Equity Damages

Typically hardware modelling relies on the expertise of the designer to match the unit. SPICE instead creates a mathematical description of the unit from the circuitry itself, yielding a result as accurate as physics. This means we can capture all behaviours of the hardware.

Equality Magazine

In cases where the hardware had stepped controls, we have implemented these exactly, but in some cases also allow you to pick between switch settings to increase functionality.